This position is painfully tested when a representation from a Japanese Judo school busts into a memorial service and presents the Jing Wu with a gift, a sign proclaiming them the “Sick men of Asia.” Chen is literally quaking with rage, but somehow restrains himself from accepting the challenge to fight, even when he is being smacked in the face. Instead of being held back by a promise to his mother, this time he-and the others of his school-are trying to honor the non-confrontational ideals of his dead master. More worrisome is the fact that Lee’s character is once again saddled with an obligation not to fight. The elder member of the Jing Wu school has to knock him out with a shovel in order to shut him up. Like, Italian widow in a mob movie level, jumping into the grave and clawing at the casket. Lee’s character, Chen Zhen, makes a striking entrance wearing a fly, all-white suit, but he blows his cool at the funeral of his Master, Huo Yuanjia. But is it worthy of his legend?Īdmittedly, I was slightly nervous going in. Every aspect of the movie is a magnitude higher than its predecessor, from the production levels and costume design, to the script and quality of acting. His next movie with Lee, Fist of Fury aka The Chinese Connection, would get everything right. Happily, director Wei Lo learned from his mistakes. While it is impossible to keep Bruce from being cool, The Big Boss fumbles on rules 1 and 3. ![]() The third rule: let Bruce Lee do a lot of fighting. The second rule would be letting Bruce Lee do what he did best, be a cool motherf’er. ![]() The number one rule, which should have been obvious, would be to make Bruce Lee the focus of the movie. ![]() The Big Boss established several rules for making a great Bruce Lee movie, mostly by getting them wrong. Getting to grips with the movie that unleashed Bruce Lee onto the cinematic landscape
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